In-Depth with Loving
the Silent Tears
Composer:
Don Pippin
|
“I consider it
a great honor to once more compose music to Supreme Master
Ching Hai’s poems. Composing for her words was an
inspiring experience for The Real Love. This year’s
show will prove to be even more successful and meaningful.
Thank you, Supreme Master Ching Hai.”
--Don Pippin,
Tony and Emmy Award-winning composer |
|
One of Broadway’s most esteemed
musical directors and composers, Tony and Emmy Award-winning Don
Pippin has worked on some of Broadway’s most well-known musicals
such as Mame, A Chorus Line, Oliver!, and La Cage
aux Folles.
For over a decade, Mr. Pippin served as music director
of New York’s famed Radio City Music Hall. He has led London’s
Royal Philharmonic Orchestra in The Music of Jerry Herman,
and the National Symphony Orchestra for Jerry Herman’s Broadway,
in homage to his longtime Broadway collaborator. Mr. Pippin has also
collaborated with such great singers as Frank Sinatra, Tony Bennett,
and Julie Andrews, as well as movie stars like Rita Hayworth, Ginger
Rogers, and Doris Day.
In 2011, Don Pippin joined four other esteemed Broadway
and Hollywood composers in scoring the musical, The Real Love,
which was inspired by Supreme Master Ching Hai’s life story
and based its lyrics on her poetry. Attending the sold-out world
premiere in Pasadena, California, USA, a cheerful Mr. Pippin had
said, “It has been a new experience in my life because I never
have the opportunity to work with such beautiful words to set to
music like Supreme Master Ching Hai’s. She is so beautiful,
what she writes, and it inspires music.”
Mr. Pippin thus gladly welcomed the opportunity to compose
for Loving the Silent Tears, saying that it was a great honor
to do so.
Mr. Pippin composed the opening song, “Never Set
Foot,” as well as the song for the Italy scene, titled “Initiation,” both
with lyrics based on Supreme Master’s poems from her brilliant
collection, Silent Tears.
“This time I did the opening number, which was
really marvelous,” he shared. “And I must say that the
arrangement and the way it was done was so thrilling, to see it work.
Last year I wrote the opening number. So I seem to have become the
opening number writer. But the thing I really loved writing was the
Italian number for Mark Janicello. He’s brilliant. I went on
YouTube and I saw many of his things and heard him sing. So I felt
I really knew his voice. So it was wonderful to write for that voice.”
Acclaimed Italian tenor and principal cast member Mark
Janicello expressed his admiration and appreciation of Mr. Pippin
on several occasions, saying that Mr. Pippin’s composition
fit his voice “like a glove.” Mr. Janicello expressed, “I’ve
got four-and-a-half octaves, and I sing everything from pop to Elvis
to Lady Gaga. And he [Don Pippin] just duplicated what I can do and
how I communicate, and he put all of it into this amazing song. The
song was written to my voice, it’s beautiful. It does everything
that I do best. And I can only say, Don, thank you so much.”
During his creative process of composing for Loving
the Silent Tears, composer Don Pippin wrote down his impressions
of Supreme Master Ching Hai’s poetry. The following are excerpts:
“Starting
work on the opening. Mark’s song has been a
challenge to compose -- I love Supreme Master’s
poem. She is quite a thinker.
I’d
call it an Italian art song with some operatic
overtones. As I wrote I realized more and more
that Supreme Master Ching Hai has a great sense
of humor regarding the subject of Love.”
|
For the glorious operatic song “Initiation,” Mr.
Pippin highlighted the power and clarity of Mr. Janicello’s
voice through an impressive melody. He also paid particular attention
to cultural detail, with the intro featuring the serenading strums
of a mandolin – reminiscent of a quaint Italian scene.
|
Italian tenor Mark Janicello
in “Initiation” |
When
the worldly people get married
Their passion will somewhat cool down.
But when I’m betrothed to You,
My passion only begins to glow! |
“The thing amazing about her poems,” said
the distinguished composer, “[is] you cannot just read through
it once and say, ‘Oh, well, that’s nice,’ or ‘that’s
this.’ You have to really read them different times, when you’re
in a different mood, because you’ll get a different feeling
about it each time. The opening number particularly, her humor is
so strong in that. And then she can become so deep in her thought
process. The lady is fantastic.”
Both humor and profound meaning indeed are seen in the
first two lines of “Never Set Foot,” as well:
|
Company performs “Never
Set Foot” |
Master,
it’s said that You are everywhere.
Why is it that in my house You never set foot?
The veil seems forever hanging there,
In front of my eyes. |
Mr. Pippin revealed that while setting the poem “Never
Set Foot” to music, he decided to start over after receiving
more inspiration:
“I scrapped
the whole opening song. I did not like how I had set
the poem. I think Supreme Master Ching Hai was visiting
me in my dreams, for it was there that I decided to
completely rewrite the song. I woke up this morning
with a wonderful new idea and yes, it gives the feeling
of tempo and good pacing for an opening song. I’d
describe the style as a lively march with rock rhythm.
It has a lot of interesting phrases that keeps it fresh
and interesting.”
|
|
Tony & Emmy-winning
composer
Don Pippin on the red carpet |
When the musical’s much anticipated world premiere
finally took place, Supreme Master Television sought a few words
with Mr. Pippin to find out his reaction to the show.
“It would take two hours for me to tell you!” He
beamed. “It deals with not only peace in general, but inner
peace. So it really has a lot to offer. … It was so wonderful.
It was thrilling. Visually, it’s such a feast of… It’s
amazing! And how the actors learned to do all of that so fast…!
It was a little rehearsal actually for a major show, and it was thrilling.”
Mr. Pippin also commented on the work of the dancing
members of the cast, saying, “The whole thing is really a dance
concert with songs and with principals doing roles. The dancers are
brilliant!”
Finally, when the conversation turned to the possibility
of another new musical, Mr. Pippin’s candid reply was: “We
never know from year to year.”
He then added, “But I have a feeling you have
not heard the last of Supreme Master Ching Hai’s poems. I hope
to be back soon.”
|